We’ve stated it as soon as and we’ll say it once more: the German version of Vogue merely isn’t what it as soon as was. Beneath the tutelage of Kerstin Weng (who has served as head of editorial content material since 2021), the journal has been extraordinarily hit or miss (heavy on the miss, FYI). Covers over latest months starring the likes of Tilda Swinton, Emilia Schüle, Emma Corrin, Heike Makatsch, and Sandra Hüller have flopped HARD. Weng seems to be making an attempt to make amends, nonetheless, by inviting Nadja Auermann onto the duvet of Vogue Germany for Could 2025. The enduring German mannequin (as soon as said by the Guinness Ebook of Data to have the longest legs of any mannequin on this planet) seems earlier than the lens of photographer Scott Trindle. Within the stripped-back cowl shot, Auermann seems makeup-free sporting a cream jacket from the Marni Spring 2025 assortment.
Nadja Auermann for Vogue Germany Could 2025
Learn beneath the reactions of theFashionSpot’s discussion board members:
“QUEEN! I don’t communicate German, however the title must be THE BEST MODEL IN THE WORLD!” exclaimed DK92 upon trying out the duvet.
“I LOVE Nadja Auermann and I’m delighted to see this!” VanillaCrush exclaimed.
Additionally very a lot a fan was vogue28. “Nadja Auermann on the duvet of Vogue Germany appears like a trigger for celebration! So glad the crew by no means did something loopy by way of idea. Only a lovely cowl {photograph} of an attractive girl with zero gimmicks,” he shared.
Not everybody, nonetheless, was feeling it. “Nadja is one my all time faves. She’s the last word ‘femme fatale’ mannequin. Her kilometer-long legs, the piercing blue eyes, the icy blond bob, the razor sharp cheekbones… That’s why I don’t take care of this mature girl styling. Gimme full on Helmut Newton fantasy!” wrote Marc10.
“Love Nadja however the cowl is hideous. She seems drained,” commented discussion board member Avonlea.
See extra of Nadja Auermann from the Vogue Germany Could 2025 cowl shoot and be part of the dialog, here.
