Teyana Taylor opted for a Phoebe Philo leather-based jacket with a daring neckline and pants for her February 25 look on The Late Present with Stephen Colbert. She has been on high of her style recreation for each public look prior to now few months. The actress emerged as a Hollywood sensation in 2025, due to her good efficiency as Perfidia Beverly Hills in “One Battle After One other.”
Teyana Taylor upgrades monochrome Phoebe Philo jacket with gold accents for ‘The Late Present’
Teyana Taylor picked out a black leather-based jacket, Look 2 from Phoebe Philo’s Collection D Jan – Jun 2026. Created by Daniel Roseberry, the jacket is a sculptural, outsized black leather-based design with a dramatic, high-folded collar that frames her face virtually like a built-in hood. It had a structured but fluid silhouette, with exaggerated quantity by the physique and sleeves.
The entrance of the jacket featured an uneven wrap-style development, creating smooth, architectural draping throughout the torso. The sleeves have been lengthy and barely ballooned, completed with gathered elastic cuffs that added form and distinction to the clear strains. Taylor paired it with fitted black leather-based pants. She maintained the monochromatic palette of her look by slipping into the Khaite Bella Knee-Excessive Boot, value $2,200. The leather-based footwear featured a pointed-toe silhouette and a wrapped wedge heel, which culminated in a gold-toned heel.
The Golden Globe winner added some bling to it along with her gold equipment. Essentially the most eye-catching equipment she was sporting have been a pair of Schiaparelli ‘Eyelash’ Sun shades and the Home’s Anatomic Bijoux Earrings. Moreover, per the official website, one aspect of the earrings contains a pierced nostril, a snail, and a surreal mouth. The opposite aspect had a surreal ear, a pierced nipple, and a tooth jewel.
In the meantime, the sun shades have been gold-toned, surrealist frames that featured intricate, lengthy metallic “eyelashes” extending from the highest rim. The eyewear additionally echoed Schiaparelli’s historic obsession with human anatomy and trompe-l’œil.
